February 15th, 2013, 09:09 AM
Fuji XF 14mm f/2.8 - A full workout...
I've been on the fence about the new Fuji 14mm - I was pretty sure I was going to return it at first. I'm still not totally sure I'll keep it, but after a full day of shooting with it, I'm leaning that way. No question about the quality of the lens - it's excellent to say the least - but just whether I'll use it enough to justify. I spent yesterday in Philly, doing a combination of street shooting and scenic/architectural shooting. My shooting in the various underground rail stations and related tunnels actually drew the attention and a brief interview with the good folks from Homeland Security. I won't get into a discussion about rights - I had no problem with their concern - but if I suddenly disappear.... Anyway, first some scenics:
And to do something I NEVER do, here are a couple of corner crops to show the sharpness and lack of CA (although these are jpegs and the shot is at f8, so its not exactly a stress test). The bottom corners are pretty close and slightly OOF, but these upper corners give you some idea...
And some street shooting:
One thing this lens is REALLY good for is low light street shooting. The DOF is so deep on this lens that you can zone focus with it really easily at f4 and even wide open at f2.8. With the X-Trans' excellent high ISO quality, this opens up a lot of possibilities, which I explored somewhat yesterday:
Peeking, but not a duck:
I very rarely shoot the homeless and use anything I get even less, but this guy's look is hard to ignore:
So, there's no doubt in my mind that the 14mm is an excellent lens in any respect that matters. My only hesitance is still based on a combination of price and wondering if I'll use it enough to justify it. The other lenses I have similar costs into are the Olympus 12 and 75. The 12 is probably my most-used lens, so no question there. The 75 I don't use that much, but I can do things with it I can't do with ANY other lens and I value those things. This lens is a great wide lens, but I have the focal length well covered with the Olympus 9-18 and so its main "unique" capability is being able to zone focus with it in pretty low light. And I really love the manual focus "snap" ring that this lens shares with the Olympus 12 and 17, although Fuji's implementation is slightly different. As of today, it stays, but I've gone back and forth on this and I can't promise I won't again...
Last edited by Ray Sachs; February 15th, 2013 at 09:20 AM.
February 15th, 2013, 09:18 AM
Looks like you found a winner.
Homeland Security got mad at you for taking photos from public ground? I thought if you were standing on public ground you could shoot anything you wanted.....
February 15th, 2013, 09:28 AM
Great work-out for the lens, and great photos, Ray. Thanks for your (wide) perspectives. ;^) This works out to about a 10.5 mm on a m43, so wider than the Oly 12mm, but not quite as wide as the 9mm end of the 9-18mm Oly. (Not too surprisingly, I no longer compare lenses to full-frame, I compare them to m43 focals.)
The fringing doesn't look to bad at the corners, I'd say less than the Oly 12mm, although differing aperture could affect that.
Are you taking an m43 out also when shooting the Fuji?
February 15th, 2013, 09:31 AM
Sounds like a safe bet, but I'm also guessing HS can say, "Hi!" for just about anything they want. No arrest, no stopping of the activity, just, "Hey, how's it going?" ;^)
Originally Posted by Tdp
February 15th, 2013, 09:33 AM
I usually just take one or the other, but I've occasionally taken both, with complimentary lenses. But I usually end up shooting with one camera and one or two lenses no matter what I'm carrying, so I'm learning not to prepare for the worst because my shoulder pays...
Originally Posted by carlb
The following member thanks Ray Sachs for this post:
February 15th, 2013, 09:35 AM
Love that wide perspective! I'm addicted to the WCL on the X100, but this 21mm equivalent really pushes me toward getting an X-Pro1. Also, hooray for the Reading Terminal Market! One of my favorite places to shoot in Philly, and you got some terrific shots in there. Peking Duck and Bee Natural Amish are magnificent street shots. 30th St Station is epic, great angle and great color. The geometry and tonal range in Market/Broad is stunning. I could look at your shots all day.
February 15th, 2013, 09:37 AM
love these, you know my vote I am keeping mine for sure
February 15th, 2013, 09:38 AM
He wasn't mad or discourteous at all. As the guy explained, the foundations for many of Philly's largest buildings are down there, so they're covering all bases. He just asked me a few questions and took down some information, which he told me I didn't have to offer up, but I have nothing to hide from those guys, just the occasional lens receipt to hide from my wife...
Originally Posted by Tdp
Hell, if they can find anything dubious in my past, I'd like to know about it!
February 15th, 2013, 09:43 AM
Those are really great Ray. The one with the guy looking at the bas relief is fantastic! I a cop one time in downtown Dallas tell me I couldn't take pictures of a building because I could be a terrorist. No kidding. I argued with him about it. He wasn't real happy with me.
February 15th, 2013, 09:46 AM
Also, if the officers are the same ones, and if you frequent the location enough, they'll get used to you, and could even open up doors for other locations for shooting (that is, taking pictures -- caveat put in for HS automated internet text snooping mechanisms)
Originally Posted by Ray
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