OK, back from New York City, and had a chance to look at the X10 images on the big screen and I'm keeping it, for sure. They're not quite as sharp as comparable images from the LX5, but I can probably get 'em close with a little bit of tweaking the settings, and its better in pretty much every other way. I love Fuji's colors and find the intensity of Velvia just about right most of the time. It may not be the most accurate, but what's that got to do with anything? I did a bit of shooting with the X100 and a bit more with the EPL3 (particularly night time street shooting) but the X10 was my constant companion. And once I figured some things out about it and got past some of the missed shots on the first couple of days, it did everything I asked of it.
I shot it as a prime at least 90% of the time, either at 28 or 35mm equivalents (mostly 28), but ventured up the zoom range from time to time also, as the situation dictated. For street shooting, I found that zone focus was the way to go - I missed waaaaay too many shots relying on auto focus. Although I actually played with the burst mode a couple of times and I got a couple of shots that way that I don't think I'd have gotten otherwise, and they always seemed to be in focus. No idea how THAT works - maybe I just got lucky. But zone focus is the way I go forward with this, which I really should have known from the start. Zone isn't as easy to setup as on the ridiculously easy Ricoh snap-focus system, but its a lot quicker and easier to get it set than it was on the LX5, when I was using a similar approach with that. So, while its not as easy to move between zone and auto focus as it is on the GRD3, once its in zone mode, its every bit the capable street shooter the Ricoh is, probably a bit better in the sense that I trust higher ISOs on the X10 so it makes it easier to keep the shutter speed up in fading light.
I even warmed up to the OVF on a couple of really bright days. Turned out I just missed the right diopter adjustment, but its there, and the OVF is a whole lot more fun to use when its in focus! I won't use it a lot, but its nice to have for sure.
These are the last few shots for me for this 'samples' thread. I'll put up a thread with a bunch of NYC photos once I've gone through them. But here are a couple more street shots and a few color landscape type shots just to show off the camera's colors. Straight jpegs - not touched in Aperture except to slightly raise the shadows in a couple.
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This guy, Louis Mendes, is a fairly well known fixture around NYC, and has been written up in the Times and elsewhere. I was familiar with him from either this forum or some other one and when I saw him out on Sixth Avenue yesterday morning, I went up and introduced myself and hung out with him a while. A lot of people call him a street photographer, but he's basically a commercial portrait artist who uses the street as his studio, using a Polaroid instant-type back, and sells people their prints. Its not like he's gonna be inconspicuous with that camera! Anyway, he took my photo, I took his. The one I took is better, but I have to give him credit - he knows how to pose - I just stood there like an idiot holding my camera up with a stupid grin on my face. And its got the washed out Polaroid colors that could make Penelope Cruz look mediocre... I paid him for his - this one's free!
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And now for some Central Park scenery:
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-Ray